搬運自：微信公眾號【評論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

原文鏈接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/

翻譯：Ryan-Chopin

審譯：Lynn Liu

推送：Lynn Liu

“We be all night,” Beyoncé proclaimed on “Drunk in Love,” the most meme-ready track on her self-titled album. She was singing about riding her husband’s big body like a surfboardt, but she may as well have been referring to the way listeners gulped down?Beyoncé, which dropped at midnight on a Thursday and seemed to envelop all of social media into the dawn hours while also revolutionizing how albums are conceived and released.

“We be all night（我們要整夜纏綿），” Beyoncé在“Drunk in Love”這首同名專輯中最具造梗潛力的單曲中大聲宣告。這是她在唱著自己像騎沖浪板一樣騎在自己丈夫的壯碩身軀上，不過她也可能是在暗指粉絲們一口氣聽完整張《Beyoncé》的方式，畢竟這張專輯是在周四的午夜時分發(fā)行，并且似乎一直到清晨都霸占著所有社交媒體的版面；同時，它也在為專輯的概念和發(fā)行方式帶去革命性的變化。

The first major pop album to adapt to the way we listen to, and watch, music in the YouTube age, her first “visual album” couldn’t have worked if it weren’t Beyoncé at her absolute best. Over 14 tracks, she peels through her exhaustive musical vocabulary: married-woman trap bangers, ’80s-influenced roller-rink jams, grown-ass R&B, burlesque backseat scores, contemporary blues ballads. And then there was “Flawless,” which sampled Nigerian novelist Chimamanda Ngozi Adichie’s 2012?TEDX talk?and helped establish Beyoncé as a fierce interpreter and purveyor of black feminist thought for the pop masses.

作為第一張適應(yīng)我們在這個YouTube時代聆聽以及收看音樂的方式的主流流行專輯，Beyoncé若不是處在她的巔峰，她的第一張“視覺專輯”是絕對不可能取得成功的。在這14首歌里，她徹底地剖析了自己的音樂詞典：已婚女性的trap勁曲，有著80年代影子的溜冰場即興音樂，成熟性感的R&B，在車后座上演繹的脫衣舞，還有當(dāng)代布魯斯抒情音樂。接下來還有“Flawless”，這首歌采樣了尼日利亞作家Chimamanda Ngozi Adichie 2012年時在TEDX上的演講，它成功地樹立起B(yǎng)eyoncé向主流聽眾強(qiáng)而有力地傳播與表達(dá)黑人女權(quán)主義的身份。

It’s difficult to understate how enduringly?Beyoncé?shifted culture (“I woke up like this!”), reasserting the artist as a full-spectrum visionary who was also dreaming up the future, invigorating the industry, maturing in her marriage, and blossoming into first-time motherhood. There is no doubt we’ll still be discussing it for decades to come. –Julianne Escobedo Shepherd

很難忽視Beyoncé如何地深遠(yuǎn)持久地改變文化(“I woke up like this!”)，重新證明了這位藝術(shù)家是一個全方位的夢想家，她也夢想著未來，振興音樂產(chǎn)業(yè)，在婚姻中成熟，并首次成為母親。毫無疑問，在未來的幾十年里，我們還會繼續(xù)討論Beyonce。