搬運自：微信公眾號【評論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

原文鏈接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/?

翻譯：Will Lin

校對：Whitney. L

推送：Lynn Liu

Elysia Crampton’s experimental electronic music unearths deep personal truths in surprising places. Her earlier work as E+E turned heads by finding something sublime and alien in edits of pop hits by the likes of Justin Bieber. Crampton’s first album under her own name,?American Drift, is a four-song, 30-minute set bringing together crunk, trap, cumbia, spoken word, crickets, and blaring radio station identifications.?American Drift?runs deeper when you learn about the ideas that inform it: The Bolivian-American producer described the album as an investigation of her adopted home state Virginia’s history, of brownness, of colonialism. As the bubble for mass-market electronic dance music was about to burst, this individualistic approach distinguished Crampton as a renegade on the rise. –Marc Hogan

Elysia Crampton通過實驗性電子音樂揭露那些隱藏于不為人知之處的罕見秘辛。此前她曾以E + E的名義工作，通過剪輯Justin Bieber的流行熱曲，發(fā)現(xiàn)其中令人贊嘆之處和怪異的風格，這使得她的作品引人注目。Crampton第一張自己制作的專輯《American Drift》，包含四首歌，時長30分鐘，融合狂克樂、陷阱樂、坎比亞、口語、蟋蟀和刺耳的電臺元素。當你了解到這張專輯所賦予的思想，此時American Drift 就具有了更深的含義：這位玻利維亞裔美國制作人認為這張專輯詮釋了自己所移居的家鄉(xiāng)弗吉尼亞州有色人種殖民主義的歷史。隨著大眾市場電子舞曲的泡沫即將破滅，這種個人主義的做法表明Crampton的反叛精神在逐漸顯現(xiàn)。